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Listening to an Arctic soundscape

Illustrative programme entry. Still North and this programme are fictional. The dates demonstrate a native calendar; no real session, registration, or booking is offered.

Listen with provenance in mind: recording conditions, sampling effort, and the limits of turning a detected sound into a statement about animals.

One question, worked carefully

A hydrophone records pressure changes at a particular place, depth, and time. What becomes audible also depends on the instrument, gain, sample rate, environment, and listening conditions. This example session asks what needs to accompany a recording before a sound can support a useful claim.

How the session is structured

  1. Read the provenance of a public example before listening. Note the source, instrument, setting, duration, and any limits on reuse.
  2. Separate an annotation from an identification. Record what is heard, what is uncertain, and which further evidence would support a species claim.
  3. Compare effort rather than treating a gap in recordings as a quiet sea. Explain why detections are not automatically animal counts.

What you can take away

A listening and annotation worksheet with room for uncertainty and effort. No new recordings, spectrograms, or species detections are claimed by Still North. The resources page points to a worksheet that links to real public examples and keeps their provenance visible.

Prepare with a source

Read Missing observations are not zeroes, then explore the guides and worksheets. The programme is associated with the fictional work of Noor Rahman; their profile explains the perspective behind the topic.

This is an invitation to practise careful reading, not a report that an event took place. Follow the linked primary sources and keep their definitions, dates, and limitations with any claim you reuse.

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September 22

Metadata that survives a handover

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November 12

Read the Arctic Report Card, not just the headline